Vivek Agnihotri created waves with The Kashmir Files (2022), a film that divided opinions but drew mass attention. His unapologetic, emotionally charged direction brought lesser-known narratives to the mainstream. Whether praised or critiqued, Agnihotri has reignited debates around truth, trauma and politics in Indian cinema.
Jasmeet K Reen stepped in with Darlings (2022), a dark comedy with social undertones. Her confident direction balanced humour and trauma, tackling domestic abuse with wit and empathy. Reen's voice is fresh, layered and relevant, making her one of the most exciting debutants in recent Hindi cinema.
Jaspal Singh Sandhu co-directed Vadh (2022), a minimal yet powerful thriller. His restrained storytelling, free from commercial gimmicks, focuses on raw human emotion and moral conflict. It marked an assured debut that proved meaningful cinema dominated by larger-than-life spectacles.
Om Raut returned with Adipurush (2023), attempting to marry mythology with modern technology. Despite criticism for execution, Raut's ambition to visualise epic tales through motion capture marked a bold shift. His risk-taking style shows the industry’s growing interest in digital innovation.
Vasan Bala directed Monica O My Darling (2022), blending neo-noir mystery with vintage Bollywood aesthetics. With its quirky characters, playful suspense and homage to pulp thrillers, Bala’s vision stood out in a sea of formulaic content. He continues to challenge genre norms while keeping storytelling stylish and rooted.